Q226730

Stummfilm Film Liste

Stummfilm Film Liste

A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of intertitles.

The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era, which existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in larger cities, an orchestra—would play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema prior to the invention of synchronized sound, but it also applies to such sound-era films as City Lights, Modern Times and Silent Movie which are accompanied by a music-only soundtrack in place of dialogue.

The term silent film is a retronym—a term created to retroactively distinguish something from later developments. Early sound films, starting with The Jazz Singer in 1927, were variously referred to as the "talkies", "sound films", or "talking pictures". The idea of combining motion pictures with recorded sound is older than film (it was suggested almost immediately after Edison introduced the phonograph in 1877), and some early experiments had the projectionist manually adjusting the frame rate to fit the sound, but because of the technical challenges involved, the introduction of synchronized dialogue became practical only in the late 1920s with the perfection of the Audion amplifier tube and the advent of the Vitaphone system. Within a decade, the widespread production of silent films for popular entertainment had ceased, and the industry had moved fully into the sound era, in which movies were accompanied by synchronized sound recordings of spoken dialogue, music and sound effects.

Most early motion pictures are considered lost owing to their physical decay, as the nitrate filmstock used in that era was extremely unstable and flammable. Many films were destroyed, because they had negligible remaining financial value in that era. It has often been claimed that around 75 percent of silent films produced in the US have been lost, though these estimates' accuracy cannot be determined due to a lack of numerical data.

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  1. 1854
    Dirnentragödie
    1442
    504
  2. 1855
    Der weiße Pfau
    1442
    184
  3. 1857
    Dragonder Mädel
    1439
    556
  4. 1863
    Luxusweibchen
    1433
    496
  5. 1864
    Sur les toits
    1432
    222
  6. 1865
    Fräulein Julie
    1429
    572
  7. 1867
    Avalanche
    1428
    572
  8. 1868
    Above the Limit
    1428
    570
  9. 1869
    Kurfürstendamm
    1428
    548
  10. 1870
    Paganini
    1428
    486
  11. 1871
    Seemannslos
    1426
    554
  12. 1873
    A Million Bid
    1419
    536
  13. 1874
    The Prussian Spy
    1418
    568
  14. 1875
    Eva in Seide
    1418
    526
  15. 1877
    Kreuziget sie!
    1417
    472
  16. 1880
    Der Reigen
    1414
    398
  17. 1885
    Giftgas
    1412
    320
  18. 1887
    Zuchthaus
    1411
    12
  19. 1889
    Kean
    1405
    530
  20. 1892
    Enoch Arden
    1401
    486
  21. 1893
    The Deep Purple
    1397
    154
  22. 1894
    Mutterliebe
    1394
    520
  23. 1896
    Gräfin Mariza
    1393
    120
  24. 1899
    Ruttmann Opus 4
    1390
    504
  25. 1900
    Das zweite Leben
    1389
    508
 
 

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